• Handel’s Messiah

    Marion Anderson Hall - Kimmel Center 300 S Broad St, Philadelphia, PA, United States

    Handel’s transcendent choral masterwork is a highlight of the holiday season, gathering friends and family in what, for many, is an unmissable annual tradition. Renowned for his interpretations of this classic, Yannick unites Orchestra, soloists, and chorus in a sound that is at once as “intimate as it is grand … notably warm and … […]

  • Martines Dixit Dominus & Mozart Missa Brevis in B flat

    Lisner currently serves as Conducting Intern for Choral Art Society of New Jersey. He will be performing as a member of the choir and assisting with ensemble preparations for this performance.

  • Bachtoberfest! – Princeton Pro Musica

    Richardson Auditorium 68 Nassau St, Princeton, NJ, United States

    Bachtoberfest! - Princeton Pro Musica Sunday, October 19, 2025, 4 p.m. A festive season opener featuring favorites of Bach including Magnificat, Concerto for Two Violins, and more.

  • A Feast of Carols

    Richardson Auditorium 68 Nassau St, Princeton, NJ, United States

    We love being a part of your annual holiday traditions! Join us for this celebration of seasonal music, sumptuously arranged for chorus and orchestra.

  • Mahler Symphony No. 2 in C minor (“Resurrection”)

    Marion Anderson Hall - Kimmel Center 300 S Broad St, Philadelphia, PA, United States

    Yannick continues the Orchestra’s exploration of Mahler with one of the composer’s most enduring classics. Shaking the heavens, Mahler’s “Resurrection” Symphony is a vast, spectacular work requiring a large orchestra as well as organ, chorus, two soloists, and multiple offstage musicians. In its sublime ending, majestic and awe-inspiring, a heavenly choir sings and in that […]

  • Mahlers Symphony No. 2 in C Minor(“Resurrection”)(with soloist)

    Marion Anderson Hall - Kimmel Center 300 S Broad St, Philadelphia, PA, United States

    Yannick continues the Orchestra’s exploration of Mahler with one of the composer’s most enduring classics. Shaking the heavens, Mahler’s “Resurrection” Symphony is a vast, spectacular work requiring a large orchestra as well as organ, chorus, two soloists, and multiple offstage musicians. In its sublime ending, majestic and awe-inspiring, a heavenly choir sings and in that […]

  • Mahler Symphony No. 2 in C minor (“Resurrection”)

    Marion Anderson Hall - Kimmel Center 300 S Broad St, Philadelphia, PA, United States

    Yannick continues the Orchestra’s exploration of Mahler with one of the composer’s most enduring classics. Shaking the heavens, Mahler’s “Resurrection” Symphony is a vast, spectacular work requiring a large orchestra as well as organ, chorus, two soloists, and multiple offstage musicians. In its sublime ending, majestic and awe-inspiring, a heavenly choir sings and in that […]

  • Mahler Symphony No. 2 in C minor (“Resurrection”)

    Carnegie Hall 881 7th Ave, New York, NY, United States

    The ecstatic praise given to Gustav Mahler’s “Resurrection” Symphony might seem hyperbolic to those unfamiliar, but the impact this colossal symphony has on listeners is real. “I think there is no one who can resist it,” Mahler once said. “One is battered to the ground and then raised on angel’s wings to the highest heights.” […]

  • Freedom Writers

    Richardson Auditorium 68 Nassau St, Princeton, NJ, United States

    As our country prepares to celebrate its 250th birthday, we bring you powerful texts focused on freedom and democracy brought to life through powerful music. Aaron Copland’s Lincoln Portrait, Julia Wolfe’s Letter from Abigail, Howard Hanson’s Song of Democracy, and more

  • American Resonance

    Princeton University Chapel Princeton, NJ, United States

    We’ll close our season in the glorious acoustic of the Princeton University Chapel as we continue to celebrate American composers with a trio of works written in the 1960s: Leonard Bernstein’s Chichester Psalms, Princeton composer Frank Lewin’s Requiem for Robert F. Kennedy, which received its premiere in the Chapel itself in 1969, and Margaret Bonds’ […]